My guest this week specializes in helping musicians and songwriters get their music into film and television. Chris started off as an award-winning music producer who saw how lucrative the income could be for artists with just one good sync placement.
Chris not only teaches indie songwriters how to get their music heard by top music supervisors in TV and film, he actually introduces them to the gatekeepers.
During the interview we spoke about how the recent Hollywood strikes affected sync placements, how artists and songwriters can rise above the competition for placements, how to determine if your music is right for TV and film, his upcoming Music Supervisors Panel event, and much more.
On the intro I looked at the real money behind the global music business, and the doom and gloom in the music instrument and pro audio side of the business is overstated.