Episode #302 – Extra Tracks Strategy, USC Diversity Study, And Groove U Founder Dwight Heckelman

After working at the prestigious Berklee College of Music, Dwight Heckelman felt that music higher education needed to be held to a higher standard and would be a lot better if it were apprenticeship-based and relationship-driven.  He called on his experience as a graduate of Belmont University, at major and independent record labels, recording studios, […]

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Espisode #301 – Winter NAMM 2020 Overview

This week on the podcast I take a quick look at the recent Winter NAMM 2020 exhibition that just finished in Anaheim. NAMM was certainly different this year as it felt renewed and actually had its first buzz-worthy product in a long time. During this week’s episode I’ll take a look at: the mood of the show […]

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Episode #300 – Streaming Slowing, 13 Musical Emotions, And Engineer Dennis Moody

My guest today on Episode #300 is Dennis Moody who’s the engineer of choice for some of the worlds top drummers, including Dave Weckl, Steve Gadd, Vinnie Colaiuta, Gregg Bissonette, and many more. He’s also one of the few studio engineers that also tours the world as a front of house engineer as well. Dennis […]

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Episode #299 – Music And Audio Companies Sold, And Radial Product Manager Jay Porter

My guest today is Radial Engineering product manager Jay Porter, who worked as both a live and studio engineer before entering the world of audio manufacturing. Over the past 10 years while working with Primacoustic, Jay has assisted with acoustic treatment layouts for every type of venue from the home recording studio to the mega […]

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Episode #298 – Predictions For 2020

No guest on the podcast this week as I take a look at what might be in store for us 2020. It’s short and sweet and will get you thinking. Some of the things I’ll look at include: The plugin evolution that’s coming USB 4 Artificial intelligence-based products Immersive audio Digital patchbays Pro Tools’ dominance Gear getting […]

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Episode #297 – Decade And Year End Wrap Up

Merry Christmas everyone! Check out the annual look back at the year, and the decade, in music, audio and the music industry. You’ll be surprised at just how much has changed over the last year, and even more surprised at where we started in 2010 and now end the decade.

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Episode #296 – How Many Streams For Minimum Wage, Pulitzer For Audio, And Studio Designer John Storyk

Over the course of his 50 years in the business John Storyk has designed more than 3,500 audio and video production facilities, recording studios, radio stations, corporate media and conference rooms, educational and, entertainment facilities, clubs, stadiums and theaters around the world.  John and his company Walters-Storyk Design Group have designed everything from private studios […]

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Episode #295 – Vinyl’s Big Sales Week, Dolby’s Latest Deal, And Blogger/Author Ari Herstand

Ari Herstand parlayed his experiences as an indie artist into a secondary career as a music industry blogger and author. Ari’s music business blog Ari’s Take has been a staple for helping musicians build a career without the help of a record label, and his book How To Make It In The New Music Business […]

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Episode #294 – Inactive Social Accounts, Plugin Evolution, And Engineer Kevin Killen

Kevin Killen is a multi-Grammy award winning engineer who’s worked with luminaries like David Bowie, U2, Peter Gabriel, Yo Yo Ma and the Silk Road Ensemble, Sugarland, Shakira and so many more. Besides working on what many consider seminal albums like Peter Gabriel’s So and U2’s Unforgettable Fire, Kevin has also worked on Broadway cast […]

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Episode #293 – New Music Streaming Service, Digital Archiving, And Waves Product Manager Yoni Zlotkin

Yoni Zlotkin turned some ambisonics and binaural college projects into a job as product manager for what has now become Waves NX. He is now also a product manager for Waves revolutionary Abbey Road Studio 3 plugin. During the interview we spoke about the development of Studio 3, how the impulses of the room were […]

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Episode #292 – Rush Seating, Rosewood Rules Relaxed, And Mastering Engineer Jonathan Wyner

My guest this week is Jonathan Wyner is the chief mastering engineer and president of M Works Mastering in Cambridge, MA. Jonathan began his career as a mastering engineer in 1985 as the compact disc was becoming a reality, and he studied digital mastering with one of the pioneers in the field for 5 years […]

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Episode #291 – Return Of The Compilation, My Podcast Setup, And Post Mixer Jason Brennan

This episode features guest Jason Brennan, who’s a re-recording mixer, supervising sound editor and sound designer with numerous feature film and television credits for Warner Bros. His 10 years of experience in music production and engineering gives him a unique outlook on television audio. Jason has always been on the cutting edge of the latest […]

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Episode #290 – FTC Gets Tough On Social Fakers, The Downside Of Free Plugins, And Dino Monoxelus “The Ampeg Guy”

This week’s guest is Dino Monoxelus, who is currently a senior product specialist and product planning manager for Ampeg Amplifiers. He’s affectionally known as “The Ampeg Guy” for his extensive knowledge about the company and its products, which he’s used as a working bass player for over 30 years. Dino spends a lot of time […]

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Episode #289 – Spotify Adverts, Gibson Loses Trademarks, And Michelle Moog-Koussa

Michelle Moog-Koussa is the daughter of the man who’s name is almost synonymous with the word synthesizer – Bob Moog. Michelle has been the executive director of the Bob Moog Foundation for the 12 years since its inception. She has guided the organization through the creation and growth of  its hallmark educational project, Dr. Bob’s […]

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Episode #288 – Label Catalog Dilemma, AES New Gear, And Mastering Engineer Michael Romanowski

This episode’s featured guest is Michael Romanowski, a Grammy nominated mastering engineer who’s the owner and chief mastering engineer at San Francisco’s Coast Mastering. He’s also the co-owner and founder of the analog tape label The Tape Project, and a Trustee of the The Recording Academy San Francisco Chapter (NARAS).  Michael has worked with a […]

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